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Black Road vol 2: A Pagan Death

Black Road vol 2: A Pagan Death Black Road vol 2: A Pagan Death Black Road vol 2: A Pagan Death

Black Road vol 2: A Pagan Death back

Brian Wood & Garry Brown


Page 45 Review by Jonathan

"We're going to lose this war, Kitta. Why not set terms that we can live with rather than fight and lose everything?"
"Because we're Norssk? Do I really need to tell you that? People don't change as fast as you think they do, Magnus. You have rough times ahead of you."

Indeed. But then it's all grim up North on the Black Road, where the culture clash between invading Christendom with its one, true God and the old ways of the Norssk and their many Gods, is being settled with steel and blood, not peace and love. And the Norssk are most definitely losing, both hearts and minds as well as limbs and heads.

Magnus the Black knows it; he can see the future all too clearly. But despite being a warrior himself who can only enter Valhalla if he dies with his sword in his hand, he has for various reasons, including still being in mourning for the death of his wife, decided that working with the proselytising Catholic clergy and their heavily armed shock troops is in the best longer-term interests of the Norssk.

Until, that is... well, you'll need to have read BLACK ROAD VOL 1: THE HOLY NORTH to know all the gory details that led him to this particular cul-de-sac in his new career's progression, but suffice to say, working with is not the same as kowtowing to. Having reached the vast fortress that the rogue Bishop Oakenfort has been constructing, Colonel Kurtz-style at the end of the Road, in an attempt to overthrow the seat of papal power in Rome with the aid of a certain holy relic, Magnus finally finds himself forced into action against his employers.

This second volume brings the first story arc to a suitably claret-soaked, concussive conclusion. Events are very neatly tied up with such seeming finality, I have no idea whether there will be any future BLACK ROAD stories, featuring Magnus or otherwise. I hope so, because I have enjoyed this just as much as NORTHLANDERS.

Once again, Garry Brown's brutally minimal art perfectly encapsulates the privations and hardships of the lands and life of the Norssk. He does a very good fight scene too, I must say, having quite the talent for making sequences of extreme violence very fluidly pleasing to the eye. The one that's not just been stabbed with a dagger, that is.

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